Past

HOMEGROUND Mandy Martin

This survey focuses on work created since Mandy Martin came to live in Mandurama in Central Western NSW. The 20 works in the exhibition reflect 20 years in the region, and address Martin’s deep unease about the landscape in which we live. Environmental issues relating to water security, the impact of the region’s coal-fired power stations and open cut mines are central concerns. Homeground features examples of Martin’s collaborative practice including paintings with the indigenous artist Trisha Carroll and digital projections with the Canberra based artist and curator, Alexander Boynes.

Mandy Martin is one of Australia’s most important artists whose career spans over 40 years. She has had numerous exhibitions in Australia, Mexico and the USA and has exhibited in France, Germany, Japan, Taiwan and Italy. Her works are held in major public and private collections in Australia including the National Gallery of Australia and the Art Gallery of NSW. In the USA she is represented in the Guggenheim Museum New York, the Los Angeles Museum of Contemporary Art, the Nevada Museum of Art, Reno and many private collections. Mandy Martin: Homeground is a Bathurst Regional Art Gallery touring exhibition.

ARTIST PROFILE Australasian painters 2007 – 201

This exhibition brings together a selection of paintings by over 140 artists featured in Artist Profile magazine over its 10 year history, providing a comprehensive overview of Australasian painting from 2007 to 2017.

With 40 issues of in-depth interviews and stories to its credit, Artist Profile  has become a touchstone visual arts publication for professionals, students  and art lovers.

The magazine’s emphasis on artists’ working processes and personal perspectives is echoed in this exhibition which celebrates the individuality of each painter represented.

Editor Kon Gouriotis and Deputy Editor Lucy Stranger have curated the exhibition from the magazine’s featured living painters.

For more information visit ARTIST PROFILE

An Orange Regional Gallery & Artist Profile partnership exhibition.

The final list includes:

Khadim Ali, Tim Allen, Rick Amor, Suzanne Archer, Peter Atkins, Del Kathryn Barton, Ray Beattie, Asher Bilu, Vivienne Binns, Marion Borgelt, Paul Boston, Joanna Braithwaite, Lyndell Brown, Sophie Cape, Tom Carment, Jun Chen, Louisa Chircop, Andrew Christofides, Kevin Connor, Roger Crawford, Lucy Culliton, Elisabeth Cummings, Peter Daly, Debra Dawes, Janet Dawson, Ken Done, Richard Dunn, Chris Dyson, Mclean Edwards, Nicole Ellis, David Fairbairn, John Firth-Smith, Juan Ford, Belinda Fox, Neil Frazer, Joe Frost, Joe Furlonger, Gunybi Ganambarr, Teelah George, George Gittoes, Peter Godwin, Ian Grant, Charles Green, David Griggs, Helga Groves, Nicholas Harding, Brent Harris, Katherine Hattam, Louise Hearman, Naomi Hobson, Christopher Hodges, Dean Home, John Honeywill, Gordon Hookey, George Johnson, Michael Johnson, Alan Jones, Jumaadi, Ildiko Kovacs, Anna Kristensen, Dan Kyle, Nusra Latif Qureshi, Ross Laurie, Kevin Lincoln, Margaret Loy Pula, Steve Lopes, Fiona Lowry, Euan Macleod, Guy Maestri, Tim Maguire, Hilarie Mais, Robert Malherbe, Dani Marti, Darren McDonald, Angus McDonald, Noel McKenna, Alexander McKenzie, Fiona McMonagle, Karen Mills, Nigel Milsom, Reg Mombassa, Nick Mourtzakis, Idris Murphy, Frank Nowlan, Peter O’Doherty, Lucy O’Doherty, Susan O’Doherty, John Olsen, Nicholas Osmond, Mike Parr, Jim Paterson, Amanda Penrose Hart, Stieg Perrson, Rosslynd Piggott, Charmaine Pike, Tom Polo, Rodney Pople, James Powditch, Peter Powditch, John Pule, Ben Quilty, Victoria Reichelt, Leslie Rice, Sally Ross, Paul Ryan, Khaled Sabsabi, Evan Salmon, Nike Savvas, Luke Sciberras, Jan Senbergs, Vivienne Shark Le Witt, Peter Sharp, Wendy Sharpe, Garry Shead, Jaiwei Shen, Gemma Smith, Paul Snell, Vanessa Stockard, Jacqui Stockdale, Michael Taylor, Ann Thomson, Imants Tillers, Aida Tomescu, Tony Twigg, Jelle Van Den Berg, Savandhary Vongpoothorn, Vince Vozzo, John R Walker, Ruth Waller, Guy Warren, Tommy Watson, Judy Watson, Guan Wei, Mark Whalen, Ken Whisson, Justin Williams, Philip Wolfhagen, John Wolseley, Pedro Wonaeamirri, Coen Young, Zoe Young, Michael Zavros and Salvatore Zofrea.


 

In Dog Years I’m Dead
Jane Tyack

8 July to 20 August 2017

For Central West artist Jane Tyack, the process of growing up came with a loss of childhood imagination, which she now seeks to reclaim through her work.
Making assemblages allows her to re-gather the threads of childhood as she aims to make uninhibited and whimsical works.

“Growing up was a wrench for me—to have to let go of my youthful world fired by my imagination and need for excitement. All at once there was so much external expectation. I found myself drawing comparisons between my desires and aspirations compared to the evolving lives of my peers. Why did I have to grow up so quickly?”
— Jane Tyack

An Orange Regional Gallery exhibition.


 

COMMON-PLACE: Works from the Collection           Curated by Cecilie Knowles
16 June – 30 July 2017

Our evolving collection contains over 150 artworks by modern and contemporary Australian artists. Bringing fresh perspectives to Orange Regional Gallery’s permanent collection, Different Takes guest curators will present well-known and not-so-well-known works in a new light.

Our connection to place helps define who we are. Our personal life histories guide us in forming bonds to our natural and built environments in uniquely complex ways. COMMON-PLACE includes works from the Orange Regional Gallery collection that touch on this human-place connection.

“In recent years, during periods of restlessness and sleeplessness, I have walked the rooms of my Grandmother’s house. Built by my Grandfather and demolished more than 20 years ago, the house stands firmly in my memory as a collection of vividly discrete details. Moving through my childhood recollections of this house and garden remains deeply and reliably consoling. The room-by-room memories are equal parts mundane and magical; a green ‘genie’ bottle filled with crushed glass used as a door stop, a bowl of seashells big enough to hear the ocean in, an old bath full of tadpoles and the flash of a sunlit goldfish. My Grandmother’s house holds personal meaning not only for these sensory flashcards my mind holds up but as a memorial to a happy and protected childhood—a present-day retreat from the often harsher adult reality.

This type of connection—based on the creation and recall of memory from a specific place in time seems easy to make sense of—the emotions are expected, the links are obvious. The source of our bonds is not always so clear. Our personal experience and understanding of the historic, political and cultural influences surrounding a place also effect how we perceive it, adding a layer of meaning extrinsic of aesthetics or the physical environment—meanings we may not be consciously aware of. This ‘background story’ may help explain those rare instantaneous connections sometimes felt when experiencing a place for the first time. A response made up of the sum of our life experience—a triggered emotional response to our own history.

I’ve been fortunate in my working life to be involved in a variety of projects that closely examine the importance of place—jobs where significance is established through careful research and a set of well-established criteria. When assessing the cultural significance of a place it is not only the aesthetic qualities that are taken into consideration but also the historic, scientific and social values. For the most part (and certainly so for the built environment) it’s the social values that, for me, have held the most interest—the stories linking people to place that give them their meaning. It’s this intangible, emotional connection to place that I am most excited by and what forms the basis for COMMON-PLACE. A grand landscape, a quiet interior, a tree, a studio, an everyday corner—these works tell a story bigger than the places they represent—they are a unique insight into the personal histories of the people who created them.”

Cecilie Knowles
Cecilie has a degree in Fine Arts from Sydney College of the Arts and a background in Heritage, Materials Conservation and Design. She has an interest in traditional art/craft processes and contemporary practice. She is an enthusiastic (novice) hand weaver.



Presence: Two Visions of Landscape

27 May – 2 July 2017

Ros Auld and Claire Primrose

Two artists come together to explore an authentic connection to the natural world.
Ros Auld aims to express both the strength and fragility of nature using materials from the earth, with an interplay between the monumental forms and delicate surface textures in her ceramic works. With landscape as her source, she is interested in the accumulation of recollected impressions rather than particular sites.

Claire Primrose’s recent work is similarly inspired and informed by many different locations from the Australian landscape. Using soil and water samples from field trips, she recreates the surfaces, textures and colours of particular places, although each work is a culmination of many different images, places and experiences.

Curated by Peter Haynes.


 

Form & Surface: Peter Wilson
1 April – 21 May 2017

In this latest exhibition by Peter Wilson the results of the artist’s continuous explorations with ceramic forms and materials will be evident.

Wilson’s practice is underpinned by experimentation and a continuous refinement of form and ceramic surfaces. He values utility and traditional craft skills whereby due consideration is given to balance, weight, proportion and the feel of the object in the hand.

This is Peter Wilson’s third exhibition at Orange Regional Gallery in 22 years.

An Orange Regional Gallery exhibition.


 

Different Takes: Guest Curator Series
11 February – 2 April 2017

Our evolving collection contains over 1500 artworks by modern and contemporary Australian artists, however, many of these artworks seldom make it out of darkened storerooms.

Bringing fresh perspectives to Orange Regional Gallery’s permanent collection, Different Takes guest curators will present well-known and not-so-well-known works in a new light.

Guest curators for 2017 are: Sonny Day – 11 February to 2 April and Cecilie Knowles – 10 June to 30 July

An Orange Regional Gallery exhibition.


 

Recent Acquisitions
11 February – 26 March 2017

Thanks to the remarkable generosity of various artists and collectors, the Gallery continues its focus on collecting modern and contemporary Australian paintings.

This exhibition includes works by Kate Beynon, Joanna Braithwaite, Judy Cassab, Charles Cooper, McLean Edwards, Tim Maguire, Fiona Lowry and Luke Sciberras.

Many of these acquisitions have been made possible through the Federal Government’s Cultural Gifts Program.

Orange Regional Gallery was founded on a major donation by Mary Turner of 34 paintings by iconic Australian artists in 1983. The Gallery received another significant donation of 37 contemporary artworks from the Chroma Collection courtesy of respected paint maker Jim Cobb in 2014. The collection continues to grow.

An Orange Regional Gallery exhibition.


 

The 100 Kilometre Art Exhibition
4 February – 26 March 2017

Orange Regional Gallery celebrates the extraordinary artistic life of our region with this open invitation to all artists living within a 50 kilometre radius (100km diameter) of the Gallery.

This popular exhibition is a regular feature in our program and offers local artists working in a variety of mediums an opportunity to present their work in their regional gallery.

With our large Alan Sisley Gallery space filled with hundreds of works—the majority of which are for sale—this is the perfect time to show your support to the many artists in our community.

An Orange Regional Gallery exhibition.


 

EUAN MACLEOD: PRINTS 1991-2016
10 December 2016- 5 February 2017

This exhibition provides a comprehensive survey of Euan Macleod’s printmaking from the past 25 years.
Macleod’s prints have played a significant role in the evolution of the artist’s career. Working with master printmakers such as Ron McBurnie and Michael Kempson, he has probed aspects of the human condition extending his idiosyncratic oeuvre. The highly expressive experimental nature of the prints complement the artist’s celebrated career as a major painter of our time.
Euan Macleod: Prints 1991-2016 was curated by Gavin Wilson.


 

SCANLINES: Four decades of Australian media art
12 November 2016 – 15 January 2017

Scanlines, curated and toured by dLux MediaArts, is the first exhibition of its kind – a comprehensive group exhibition that surveys the heritage of new media art in Australia since the 1980s.

With a groundbreaking interactive design, the exhibition puts history at your fingertips, allowing access to video interviews with the artists and studio tours from the comfort of the gallery.

With a roll-call of some of the most recognisable names in contemporary art, Scanlines includes rare early works and well-known works by our most high profile and internationally celebrated filmmakers, contemporary artists and scholars.

Scanlines traces the influence of one artistic generation to the next and traverses a plethora of tools, technologies and unique creative ideas.


 

Editioned: prints from the collection. Curated by Madeline Holborow.  
22 October 2016 – 2 January 2017

Being asked to curate an exhibition at Orange Regional Gallery still seems quite surreal to me. I was extremely flattered to be asked and then felt quite daunted by the task ahead.

I’ve never considered myself to be an authority on art, I know what I like and I appreciate almost every type of art and design. It’s what I’m passionate about and I strive to share my passion with others. This is what I’ve attempted to do with the exhibition editioned: prints from the collection which is on now in Gallery 2.

I love printmaking; I studied several different printmaking mediums at university. It’s such a diverse and challenging practice that I feel is sometimes undervalued.

This exhibition showcases some of the Orange Regional Gallery’s finest works on paper, and there were many to choose from! I’ve selected a vast range of works that celebrate all the different techniques and effects only achievable in printmaking. Anyone who’s ever tried their hand at printmaking can appreciate the skill that produced these works.

I’ve been drawn to printmaking through my own practice; it’s the long, meditative process that attracts me to this art form. Printmaking is not instantly gratifying; you can’t make a mark and suddenly see what the final product will look like. You have to plan and experiment and use your imagination to view the final product in your head. You have to let the work build and grow as it’s made and it can be disappointing at times but mostly surprisingly satisfying.

Editioned: prints from the collection features all types of different printmaking mediums and styles from some of Australia’s best printmakers. It was great fun to dig through the stores to select the work for this exhibition and I hope you have just as much fun viewing them.

[Madeline Holborow is the director of The Corner Store Gallery in Orange. She has a degree in Fine Arts from the University of Newcastle and has since worked as the Artist in Residence at Kinross Wolaroi School from 2011-2014].


 

BACK TO BURRA BEE DEE: Warwick Keen
22 October to 4 December 2016

Warwick Keen’s exhibition of digitally-manipulated photographs celebrates the story of his mother’s people (Gomeroi and Weilwan) from the Coonabarabran area of New South Wales.
It looks specifically at Mary Jane Cain and the 600 acres of land known as “Burra Bee Dee” that was bequeathed to the Aboriginal people at the end of the 19th Century.
Mary Jane Cain wrote a letter to Queen Victoria in 1893 asking for some acreage to be given to the Indigenous people. The Governor, on behalf of the Queen, responded and the land was given. This land is now a significant historical and cultural site for the people today.
Back to Burra Bee Dee was the winner of the 2013 COFA Aboriginal Arts Residency Award in the Parliament of NSW Aboriginal Art Prize.


 

Roy Jackson Retrospective 1963-2013
3 September to 6 November 2016

This exhibition spans 50 years of painting and drawing by one of the most distinctive abstract painters in Australia.
Roy Jackson was regarded as a “painter’s painter”– a rare talent whose work explores and challenges the possibilities of representation and abstraction. Highly esteemed by his students, fellow artists, and collectors; the power of his work is in its vitality and the evocation of visual sensations, memory and poetic imagination.
In 2013 Jackson was painting at the height of his powers, knowing that time was short yet achieving masterly new expression in his art as evidenced by his epic Clinamen Series included in the exhibition.
Curated by Sioux Garside and Terence Maloon, toured by the Drill Hall Gallery, ANU and the Roy Jackson Memorial Fund.


 

Kedumba Drawing Award 2016
20 August to 16 October 

The Kedumba Drawing Award is now an annual highlight at Orange Regional Gallery having moved here from the Blue Mountains in 2014. Each year, approximately 20 artists are invited to submit a recent drawing for the exhibition, from which the judge (usually an artist) acquires works for the Kedumba Collection. This means that around five or so new drawings enter the Kedumba Collection of Australian Drawings annually, which is now on long term loan to Orange Regional Gallery.

The 2016 Acquisitions Judge is Paul Delprat.

Congratulations to the following artists whose work was acquired for the collection:

TIM ALLEN, Ann Thomson, artist, mixed media
CHRIS CASALI, Fragmented, graphite pencil, pigment & watercolour
MARYANNE COUTTS, Tree drawing, graphite (from a suite of nine tree drawings)
TODD FULLER, Pink eclipse – if you fall I will catch you, chalk, charcoal & acrylic
EDGAR SCHILTER, Bound & gagged, Quantum No. 3, charcoal, india ink & graphite
HEATHER VALLANCE, Fall from grace, charcoal
PETER WEGNER, Man resting, charcoal

This years artists are: Tim Allen, John Bokor, Chris Casali, Maryanne Coutts, Todd Fuller, Gabrielle Jones, Gina Kalabishis, Martin King, Jo Lane, Rowen Matthews, Kevin McKay, Julie Nettleton, Stephen Nova, Edgar Schilter, Heather Vallance, Peter Wegner, Mirra Whale, Tim Winters, Gosia Wlodarczak and Lisa Woolfe.

Kedumba Drawing Award 2016


 

Country & Western: Landscape re-imagined
9 July – 28 August

Country & Western: landscape re-imagined is one of the most comprehensive and inclusive landscape exhibitions of recent times. With works by leading Australian artists this travelling exhibition brings into focus our evolving attitudes to, and perceptions of, the national landscape over the past 25 years.

The vexed issues of dispossession, identity, collaboration, mining and land degradation, along with the country’s natural splendour are all viewed from differing cultural perspectives.

The works in the exhibition have been sourced from major public galleries and private collectors throughout Australia. Created by both Indigenous and non-Indigenous artists these works re-imagine the post-bicentennial landscape with verve and rigour.

A Perc Tucker Regional Gallery Touring Exhibition, curated by Gavin Wilson.

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